Tuanshan (Chinese: 團扇; pinyin: tuánshàn; lit. 203,206 fan of reunion, are typically silk rigid hand fan which originated in China; they are typically circular or oval in shape. These types of fans were mostly used by women in the Tang dynasty. 206 The tuanshan was also used as part of the traditional Chinese wedding and was part of the ceremonial wedding rite. They continue to be produced and sold in present-day China and has become a common form of accessory in Hanfu. 206 Up to the Song dynasty, the tuanshan appears to have the most common types of the fans in China. The tuanshan also remained mainstream in China even after the growing popularity of the folding fans which originated in Japan. The tuanshan was also introduced in other countries, such as Japan. The tuanshan originated in China, its prototype was round silk fan which was developed in the Eastern Han dynasty which was itself developed based on the earlier Chinese fans design. Over time, the Chinese fans have evolved in a cultural artifacts which reflects and incorporate the essence of Chinese folklore culture. Chinese brides also used a type of moon-shaped tuanshan in traditional Chinese wedding called queshan. The ceremonial rite of queshan was an important ceremony in Chinese wedding: the bride would hold it in front of her face to hide her shyness, to remain mysterious, and as a way to exorcise evil spirits. After all the other wedding ceremonies were completed, such as drinking the hejin wine, and after the groom had impressed the bride (e.g. reciting poems), the bride would then proceed in revealing her face to the groom by removing the queshan from her face. This ceremonial rite is referred as Etiquette of removing fan; the performance of such rite can be traced back to the Tang dynasty and continued in the Song dynasty. The tuanshan is composed of a handle or stick with a rigid mount like a frame and a fabric whose shape will conform to the desired shape of the tuanshan. 256 Traditionally, they were made of bamboo or ivory with silk fabric, which would stretch across the rigid frame. 206 It could be decorated with Chinese embroideries or Chinese paintings. Garrett, Valery (2012). Chinese Dress : From the Qing Dynasty to the Present. An hexagonal rigid fan with a Chinese painting of a cat and a calligraphy, late Qing dynasty. New York: Tuttle Pub. San Francisco: Long River Press. Peng, Jing; Ruan, Tianhua (2019). “The application of fan culture in environmental design” (PDF). Qian, Gonglin (2004). Chinese fans : artistry and aesthetics (1st ed.). Weilin, Yuan (2017). Silk ribbon embroidery Chinese style : an illustrated stitch guide. This page was last edited on 2 November 2024, at 16:05 (UTC). Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.
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